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Sculptural project "The Nuremberg Madonna" featuring 600 sculptures in Nuremberg
exhibition "Ottmar Hörl – Reference" of the Galerie Schrade at Mochental palace until 16 July 2017
Installation "Zeppelin – The first step is always the hardest"
Exhibition "Instructions for the Relief of the Black Square“ at Kunstverein Mannheim"
Works of national and international artist about the reflection on flowers in art since 1960
"Hörls Tierleben" [Hörl's Life of Animals] installation, Waiblingen
Sculptural project “Rückert for Everyone” featuring 500 Friedrich Rückert sculptures at marketplace and Kunsthalle Schweinfurt
Installation featuring 400 Fontane sculptures in front of the Kulturkirche in Neuruppin
Sculptural project featuring 500 Folichon multiples in Bayreuth's public space and at Wilhelminenaue park
Sculptural project featuring 50 Worldview models in Graz public space, Austria
Art installation featuring astronaut sculptures at Forum Kunst Rottweil
25th anniversary of the German reunification - sculptural art project "Overcoming Boundaries"
Installation with 2,000 serial Lion sculptures in the Emperor´s Courtyard at the Munich Residence
Solo exhibition of twelve larger than life-size Dürer Hares at the Daegu Art Museum, Korea
Luther meets Zwingli, installation with 32 Sculptures at Limmatquai, Zürich
Sculptural project featuring 400 multiples to commemorate the centenary of Goethe University, set up on Campus Westend in Frankfurt am Main
Sculptural project of an oversized Dürer hare on the rooftop of the Albertina in Vienna (Austria)
Sculptural project featuring 500 multiples set up in Katschhof square, Aachen, to commemorate the Year of Charlemagne celebrated in Aachen in 2014
Sculptural project featuring 500 Wagner multiples to commemorate the bicentennial celebrations of Richard Wagner's birth, set up in the city of Bayreuth
Sculptural project featuring 150 ensembles consisting of a Kaspar Hauser sculpture looking at watercolours displayed in front of him, set up in the city centre and Hofgarten of Ansbach
Sculptural project featuring 500 Karl Marx multiples to commemorate the 130th anniversary of Karl Marx’s death, set up in Porta-Nigra-Platz, Trier
Sculptural project as part of the Arche 2012 open air exhibition in the monastic yard of the former Benedictine Abbey in Seligenstadt
Sculptural project "1,000 Roses for Zweibrücken", set up in Herzogplatz square in Zweibrücken
Sculptural project "Homestory" featuring 1,000 golden cocks, set up in Karl-August-Jung-Platz in the garden town of Haan
Sculptural project "THELUTHERCOMPLEX" at FFFZ Kulturforum of the Evangelical Church in the Rhineland in Düsseldorf, 8 July to 31 July 2011
Exhibition with interventions from students, Engen Municipal Museum & Gallery
Room for Associations on Art and Vincent Van Gogh as an Artist, Städtische Galerie [Municipal Gallery], Neunkirchen
Project "Martin Luther – Here I stand" featuring 800 Luther multiples set up in the market square in Wittenberg, the City of Luther
Sculptural project featuring 300 sea lions, set up in front of the Aquarius Wassermuseum (Water Museum) in Mülheim an der Ruhr
Sculptural project "Angels over Munich" Heilig Kreuz Church in Munich-Giesing, 2009
Sculptural project "Lady with an Ermine – Giving and Taking", featuring 1,500 ermine in St Mary Magdalene Square, Kraków (Poland), 2009
Sculptural project "It Happened In Paderborn – Earthly Power and Heavenly Powers" featuring 400 Guardian Angels in the city centre of Paderborn, 2007
Sculptural project "You Shouldn't Kill the Hen that Lays the Golden Eggs" at the Bank of Baden-Württemberg in Stuttgart
Sculptural project featuring 300 Castle Rats in the attic of the Schlossmuseum [Castle Museum] in Friedberg, Bavaria
Sculptural project "Penguin – The Exposed Animal", exhibition project of the KISS art society in Untergröningen Castle Untergröningen e.V.
See Nothing, Hear Nothing, Say Nothing:
First presented at art Karlsruhe in 2006
Sculptural project featuring 500 Rottweiler Dogs at Erich Hauser sculpture park of the Erich Hauser Art Foundation and in the pedestrian zone in Rottweil
"Statue of the common man", endowed with spiritual and philosophical abilities
Five Years Can Be an Eternity –
Sculptural project in Charleville-Mézières, Place Ducale
Sculptural project "Carrying Owls to Athens", on the occasion of the Olympic Games in Athens (Greece)
Ottmar Hörl stages Wagner for the 21st century, art project in the city of Bayreuth
Sculptural project “Large Piece of Hare” featuring 7,000 Dürer Hares in Hauptmarkt square, Nuremberg
A slightly different sculptural installation
Sculptural project "Rolling Change" featuring 1.000 garden gnomes in Seligenstadt, 1994
Two bullet holes at face level through the glass front across from the Frankfurt Historical Museum
Project by the Formalhaut group, concept by Ottmar Hörl, in the Vogelsberg region, Hesse
This enables these cameras to automatically take 3.5 photos per second in situations that are beyond human control. For his work "The Large Vertical", a camera was thrown from the roof of a 160-metre-high building in downtown Frankfurt. The camera was taking pictures from the time it was thrown until it hit the ground. For his work "The Large Diagonal or Homage à Beckmann", a hammer thrower hurled the camera from the centre of the Eiserner Steg bridge diagonally towards downtown Frankfurt, and it was taking pictures until it disappeared into the River Main. Other photo series entitled "Horizontal Rotation", "Duel in the Municipal Forest", "Sightseeing", or "Falzarego" developed during which additional options of automated picture taking were tested, such as attaching the camera to a rim of a car tyre, a gun shot at the lens of an automatically triggered camera, throwing cameras from planes or from a cable railway. The photo series "Landscape for Sprinters" are extreme examples of artistic expression that should be classified in an area between landscape painting and sculpture. In contrast to traditional landscape painting, Hörl makes use of unfamiliar means. He totally refrains from using an individual artistic signature and the corresponding material (paint and brush) or traditional methods of photography. Because it is not the eye of the photographer capturing the landscape through the lens but the camera independently picking up snippets of landscape.
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